Bach Bibliography Search Result

Series : ^[p]AMS_Philadelphia$
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Type	List	Author	Title[further info]	Series	Vol	No	Year	Pages	Status
			[]
	1.	Franklin, Don O.	Problems of Text and Tempo in Bach's Well-Tempered Clavier II: A New Look at the Sources. A paper read at the Forth-Second Annual Meeting of the American Musicological Society, Meeting Jointly with the College Music Society, November 4-7, 1976 at Bellevue-Stratford Hotel, Philadelphia.	[p]AMS_Philadelphia			Nov 1976
	2.	Hill, Robert	Style and Authenticity in Two Early Suites Attributed to J. S. Bach, BWV 832 and 833. A paper read at the 50th Annual Meeting of the American Musicological Society and the 7th Annal Meeting of the Society for Music Theory in Philadelphia, October 25-28, 1984. Respondent: Russell Stinson.	[p]AMS_Philadelphia			Oct 1984
	3.	Crist, Stephen A.	Bach's Debut at Leipzig: Observations on the Genesis of BWV 75 and 76. A paper read at the 50th Annual Meeting of the American Musicological Society and the 7th Annal Meeting of the Society for Music Theory in Philadelphia, October 25-28, 1984. Respondent: Laurence Dreyfus.	[p]AMS_Philadelphia			Oct 1984
	4.	Little, Meredith	French Court Dancing in Germany at the Time of Johann Sebastian Bach. A paper read at the Rocky Mountain Chapter meeting of the AMS on April 27-28, 1984 at the University of Arizona, Tucson.	[p]AMS_Philadelphia			Apr 1984
	5.	Hartinger, Anselm	From 'Chorus Musicus' and 'Grosses Concert' to 'Stadt - und Kirchen Orchester': The Transformation and Modernization of Leipzig Musical Institutions between 1781 and 1843. A paper read at the Annual meeting of American Musicological Society in Philadelphia, 12-15 November 2009.	[p]AMS_Philadelphia			Nov 2009		AbstractsPapersAMSoc p.44
	6.	Brown, A. Peter	Joseph Haydn and C.P.E. Bach: The Question of Influence. A paper read at the Forth-Second Annual Meeting of the American Musicological Society, Meeting Jointly with the College Music Society, November 4-7, 1976 at Bellevue-Stratford Hotel, Philadelphia.	[p]AMS_Philadelphia			Nov 1976
	7.	Lutterman, John	'Cet art est la perfection du talent': Chordal Thoroughbass Realization, the Accompaniment of Recitative, and Improvised Solo Performance on the Viol and Cello in the Eighteenth Century. A paper read at the Annual meeting of American Musicological Society in Philadelphia, 12-15 November 2009.	[p]AMS_Philadelphia			Nov 2009		AbstractsPapersAMSoc p.43